Community Calendar

Kay WalkingStick / Hudson River School brings together works by contemporary Cherokee artist Kay Walking Stick with nineteenth-century Hudson River School paintings, creating a conversation about American landscape, identity, memory, and the land’s layered histories.

Drop-in to the Art Ways Interactive Family Gallery on the second floor of the Museum every Saturday and Sunday to make your own art to take home during ArtVentures. Museum educators are on hand to help guide you in creating an artwork inspired by the Museum’s collection. Design your own creation and bring it to life on one of our 3D printers. All ages and abilities welcome! Free.

Grammy-nominated Yonder Mountain String Band set the tone for a new way forward in acoustic music, carrying bluegrass into rooms and conversations it had never reached before. Nearly three decades later, that same spirit still guides them, alive and present on Good As True (2026), the band’s 12th studio album, released in March of 2026. The record captures Yonder in full stride. It’s unguarded and in motion, preserving the spark of musicians playing in real time and leaning into everything they have learned along the way.

Good As True (2026) digs into communication, the conversations that carry us forward and the ones that fall apart. The things we say, the things we mean, and what gets lost in between.

Across eight original tracks co-written by Adam Aijala (guitar, vocals), Dave Johnston (banjo, vocals), Ben Kaufmann (bass vocals), and Nick Piccininni (mandolin, vocals), Good As True (2026) reflects a group writing from inside their own history, relationships, and the world around them. Brought to life by the full five-piece lineup, including fiddle player Coleman Smith, the album carries the interplay and identity of the band as it exists today. The songs move between drive, reflection, humor, and weight. It is forward-looking and fully alive, a reminder that Yonder Mountain String Band’s story is still unfolding.

Tournament-style Scrabble. Players of all abilities are welcome.

In the nineteenth century, American artists sought to capture the unique character of the North American landscape, from iconic landmarks to intimate countryside views. Drawing from the Allentown Art Museum’s permanent collection, this exhibition explores mountains, waterfalls, pastures, and wilderness scenes while also examining how these idealized landscapes can obscure ecological damage and colonial violence.

Kay WalkingStick / Hudson River School brings together works by contemporary Cherokee artist Kay Walking Stick with nineteenth-century Hudson River School paintings, creating a conversation about American landscape, identity, memory, and the land’s layered histories.

In the nineteenth century, American artists sought to capture the unique character of the North American landscape, from iconic landmarks to intimate countryside views. Drawing from the Allentown Art Museum’s permanent collection, this exhibition explores mountains, waterfalls, pastures, and wilderness scenes while also examining how these idealized landscapes can obscure ecological damage and colonial violence.

Kay WalkingStick / Hudson River School brings together works by contemporary Cherokee artist Kay Walking Stick with nineteenth-century Hudson River School paintings, creating a conversation about American landscape, identity, memory, and the land’s layered histories.

The Bethlehem Rose Garden is a curated farmer's market that serves as a thriving and welcoming outlet, directly connecting the greater Lehigh Valley community to our local farmers, artisans and service providers. The market is celebrating its 10th anniversary in 2026.

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In the nineteenth century, American artists sought to capture the unique character of the North American landscape, from iconic landmarks to intimate countryside views. Drawing from the Allentown Art Museum’s permanent collection, this exhibition explores mountains, waterfalls, pastures, and wilderness scenes while also examining how these idealized landscapes can obscure ecological damage and colonial violence.