Jun 03 Wednesday
Alternative rock band Sponge is an American was formed in Detroit, Michigan in 1992 by vocalist Vinnie Dombroski, guitarists Mike Cross and Joey Mazzola, bassist Tim Cross, and drummer Jimmy Paluzzi. Their song “Neenah Menasha” caught the ears of A&R person Pablo Mathiason and the band signed with The Work Group (a Columbia Records subsidiary) in the fall of 1993. The following year, Sponge released the now iconic, Platinum-selling debut album, Rotting Piñata, to global, critical and commercial success.
Rotting Piñata remains a fierce and unforgettable slice of Detroit‑driven alternative rock, and its 30th anniversary highlights just how powerfully it has endured. Powered by Vinnie Dombroski’s raw, elastic vocals and the band’s blend of grunge grit, melodic hooks, and post‑punk swagger, the album delivered two defining ’90s anthems—“Plowed” and “Molly (16 Candles Down the Drain)”—tracks that dominated radio and MTV and helped propel the record to platinum status. Yet the album’s depth is what cements its legacy: songs like “Neenah Menasha,” “Giants,” and “Rainin’” showcase a band capable of atmosphere, tension, and emotional punch, carving out a sound that stood apart from the Seattle wave while still capturing the era’s urgency.
Three decades later, Rotting Piñata feels remarkably fresh—its riffs still hit hard, its choruses still soar, and its Detroit attitude still cuts through with clarity. It remains not only Sponge’s defining statement but one of the most distinctive and enduring albums of the 90s rock landscape, a record whose impact continues to echo long after its initial explosion.
Jun 04 Thursday
Melody Trucks and the Fitzkee Brothers don’t just play Southern rock—they ignite it. Melody, daughter of Allman Brothers drum legend Butch Trucks, has carved her own lane with a voice that can preach, plead, and roar when the moment calls for it.The Fitzkee Brothers bring the heat, fusing blues-soaked guitar work with groove-heavy rhythms and fearless improvisation that pulls from Southern rock, funk, and jam-band traditions.
Adding another powerful dimension is Chris Vitarello, a Blues Hall of Fame guitarist known for his lyrical, inventive playing and his time with Butch Trucks & The Freight Train Band, the Bruce Katz Band, and touring with Vanessa Collier. His presence creates a rare bridge between generations—connecting the music of Melody’s father’s era with the sound of what comes next.Together, this lineup delivers a night of original music, deep grooves, and improvisation rooted in tradition but pushing forward at full speed.
For fans of: The Allman Brothers Band, Tedeschi Trucks Band, Widespread Panic, The Meters, Derek & The Dominos, Parliament-Funkadelic
Experience the music of KPOP Demon Hunters, BTS, Huntr/x, BLACKPINK, and many more – a high-energy tribute brought to life by live singers and dancers!
Planet KPOP is a unique hybrid spectacle that blends the excitement of a live concert with the immersion of a full dance experience! The choreography pushes the energy sky-high, shaping a visual feast of synchronized movement, iconic formations, and unmistakable KPOP flair.
Jun 05 Friday
Pop punk powerhouses Patent Pending return to the Sherman Theater for a night of high-energy anthems and nonstop fun. Known for their infectious hooks, wild stage presence, and heartfelt connection with fans, the band delivers an experience that’s equal parts party and passion. Don’t miss your chance to sing, jump, and rock out with Patent Pending live!
Explore the depths of Americana one trippy tune at a time with New York’s Slambovian Circus of Dreams. Voted Chronogram Magazine’s “Best Band of 2022” for their rootsy rockin’ psychedelia, the Slambovians’ deep connection with audiences and exciting live shows are legendary. Dylan, Bowie, Incredible String Band, Syd Barrett and The Waterboys may flavor the musical mix, but the Slambovians’ musicianship and songwriting stand on its own.
With vocals “soothing and bewitching as a snake oil tonic” the resident shaman of Slambovia, lead singer Joziah Longo, is joined onstage by bandmates Tink Lloyd (accordion, cello, mandolin, flute) and the brilliant guitar-slinging and mandolin-playing skills of Sharkey McEwen – creating a show that constantly evolves “with a little help from their friends,” — RJ McCarty (keys, bass, sax), Bob Torsello (bass), and Matthew Abourezk (drums).
Woodstock-tinged psychedelia, a hint of southern rock and solid songwriting elevates this version of Americana to new heights. The band’s latest studio release, A Very Unusual Head, is considered to be “their finest work to date.” – Rock’n’Reel Magazine, UK. The Waterboys’ Anthony Thistlethwaite is featured on A Very Unusual Head, as is singer-songwriter Dar Williams, who also covers the Slambovians’ “Sullivan Lane” on her latest album.
Jun 06 Saturday
Mike returns to FlemingtonDIY. all ages
discounts for members, advance purchases and cool cat card holders
Jun 07 Sunday
Join the Easton Municipal Band for a delightful late-morning concert at Green Pond United Methodist Church. This free performance will feature a lively mix of traditional marches, beloved selections from stage and screen, jazz favorites, and engaging contemporary works. It’s the perfect way to start your Sunday with great music in a welcoming community setting.
Doug Church is an international, multi-award-winning artist who has awed his audiences for years, mesmerizing them with his unique vocal rendition of the 'King of Rock and Roll.' Church has traveled worldwide and performed with Elvis' closest friends, musicians, and original singers. Relive your favorite Elvis hits. Join us for the music, memories and unforgettable Elvis hits are brought to life. The TRUE Voice of Elvis, Doug Church, will be joined by The Essential Elvis Tribute Band and the Romano Sisters.
Doug began his career in the U.S. Air Force with a guitar, a home-made costume and his amazing rendition of the King of Rock and Roll, where he began winning talent contests held annually by the Air Force. Shortly after leaving the service, he entered the Worldwide Elvis Impersonators contest in Memphis, walking away with the First Place Crown as "The World's Best Elvis Tribute Artist." Doug portrayed “The King” for 7 years in the famous Las Vegas tribute Show, "Legends in Concert," and performing in The Bahamas, Puerto Rico, Jamaica, The Virgin Islands, Aruba, Bangkok, Hong Kong, Moscow, the US and Canada. He then began touring with his own shows.
Doug also has an impressive repertoire of 50+ character voices and has done extensive work in the voice over business. But the one voice that continues to mesmerize the audiences is the voice of Elvis Presley, the King of Rock ‘n Roll.
April 2026, marks the 33 year anniversary of Big Bad Voodoo Daddy’s remarkable arrival onto the music scene. Since its formation in the early nineties in Ventura, California, the band has toured virtually nonstop, performing on average over 150 shows a year, and has produced a sizable catalog of recorded music, with sales of over 2 million albums to date. Early on, during their legendary residency at the Derby nightclub in Los Angeles, they reminded the world, in the midst of the grunge era no less, that it was still cool to swing. The band, co-founded by singer Scotty Morris and drummer Kurt Sodergren, was at the forefront of the swing revival of that time, blending a vibrant fusion of the classic American sounds of jazz, swing, and dixieland, with the energy and spirit of contemporary culture.
Big Bad Voodoo Daddy’s all original core line-up includes Scotty Morris (lead vocals and guitar), Kurt Sodergren (drums), Dirk Shumaker (double bass and vocals), Andy Rowley (baritone saxophone and vocals), Glen "The Kid" Marhevka (trumpet), Karl Hunter (saxophones and clarinet) and Joshua Levy (piano and arranger).
Big Bad Voodoo Daddy’s efforts to promote and revitalize swing music have taken shape as much more than a simple tribute. Taking inspiration from the creators of this uniquely American art form, the band’s original horn-infused music and legendary high energy show introduces the genre to a new and younger generation while remaining cognizant and respectful of the music’s rich legacy.