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  • Margaret Atwood's The Testaments opens about 15 years after the end of The Handmaid's Tale. Critic Maureen Corrigan says the follow-up gives her what she wants most: the promise of an end to Gilead.
  • The tracks Bob Boilen shares on this week's All Songs Considered all have a cinematic quality, from a new Thom Yorke cut for the film Motherless Brooklyn, to Ride's best new album in 20 years.
  • Reading a story by Lydia Davis is like watching a magic trick: She shows you a top hat that's obviously empty, and then she pulls out of it something enormous and oddly shaped.
  • Huffington Post founder and editor Arianna Huffington has left the company after a corporate restructuring. Lydia Polgreen, the editor of the rebranded HuffPost, talks about her plans for the site.
  • Gustave Flaubert was an apostle of le mot juste — using exactly the right word. Lydia Davis elegantly translates his masterpiece, Madame Bovary, in the same spirit. Davis' words lure readers back into Emma Bovary's sexy, scandalous and tragic tale.
  • The movie Barbie is based on the children's fashion doll created by Ruth Handler and launched in 1959 by the Mattel toy company. Barbie (Margot Robbie) travels from Barbieland to the real world, with Ken (Ryan Gosling) along for the ride.
  • Musicians Lydia Liza and Josiah Lemanski have reimagined the holiday classic to emphasize consent — but at the time it was written, the song was actually something of a feminist anthem.
  • Little is known about the real life of Kate Warne, the first female detective in America — but Greer Macallister's romp of a novel paints her as a live wire, an ace in a dangerous man's world.
  • More employers say they're being "ghosted," the Federal Reserve noted recently. That's when a worker just stops coming to work and is impossible to contact. The strong economy may help explain it.
  • The science fiction adventure is the third in the franchise, following films released in 2009 and 2022, and features familiar faces from both prior installments.
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