Lars Gotrich

Nearly 40 years into their career, The Flaming Lips remain remarkably ageless and endlessly creative. They return this week with another heady, psychedelic pop record inspired by a surreal art installation by frontman Wayne Coyne. On this week's New Music Friday, we climb inside the band's kaleidoscopic new record, The King's Mouth.

Miranda Lambert really knows how to announce a new single. For "It All Comes Out in the Wash" — a cute-as-hell country bop that reminds us that "hard times do eventually pass," as she put it in a press release — Lambert filmed her shirtless husband doing laundry. You know, as one does.

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An industrial beat clangs as a low drone hums.

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When you have a voice like Brittany Howard, just about anybody looks good singing along.

On the edges and sometimes in the center of Jenny Hval's provocative avant-pop music, there's always been a bold vulnerability. The Norwegian musician constantly pushes the form, herself and her audience to examine complacency and identity, culminating in 2016's noisy, synth-driven Blood Bitch.

I always had WUOG on the radio back in the day — not just as a fan, but as one of the college station's music directors — to make sure there was a good variety of music in rotation. But when a DJ had to pee or take a smoke break, I knew: They'd play a long song — more specifically, Godspeed You! Black Emperor. Not that there's anything wrong with GY!BE, just that there's more to drawn-out music than apocalyptic post-rock.

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Who would've thought that American Football's fruitful reunion would include a children's choir at the Tiny Desk?

Is there a Sean Paul of metal or drone that Jake Gyllenhaal can enthusiastically shout out? A musical hype-person who "makes every song better," but over blast beats or long, ponderous synths?

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