Eric Deggans

They may be two of the most influential notes in funk-rock history: the soaring, plaintive start to guitarist Eddie Hazel's legendary solo in Funkadelic's "Maggot Brain."

Right about now is when many people would start to hate Ted Lasso.

The show's first season was a come-from-nowhere hit on Apple TV+ last year — an amusing ode to the power of niceness which got a serious viewership boost thank to pandemic lockdowns.

One thing is obvious after watching Naomi Osaka, Netflix's three-episode docuseries tracking the life of the increasingly press-shy tennis champion.

Naomi Osaka worries. A lot.

This year's Emmy nominations cover a time when the coronavirus pandemic turned the TV industry upside down. So it makes sense that the shows and performances announced Tuesday might include some choices that are a bit ... unconventional.

From the funky, opening groove of the film's first song, Stevie Wonder's slinky jam on the Isley's Brothers' "It's Your Thing," it is obvious the new documentary Summer of Soul (...or When the Revolution Could Not Be Televised) will be packed with little-seen, landmark live performances.

But watch a little longer, as Wonder sits behind a drumkit to whip off a crackling drum solo. As he works the kit, clips of news reports and pundits surface talking about the crucial political and social issues facing Black people in 1969. And you realize you're seeing something more.

As a critic who loves glitzy awards shows and celebrations of great work, I find the Emmy season feels a bit like Christmas and the Super Bowl rolled into one, glorious package. But it can be ruined if the folks handing out the big awards make the wrong picks.

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Conan O'Brien keeps saying this goodbye is a good thing.

David Simon created two of TV's most groundbreaking series about the failure of the war on drugs, set in the neighborhoods of Baltimore: HBO's The Corner and The Wire.

Still, even as he allows that those shows — with their visceral look at the intersection of race, policing, violence and tragedy — may have helped people question five decades of failed drug policy, Simon says he remains a "cockeyed pessimist" on the question of whether the war will ever end.

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