Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

What is the most urgent undertaking for an artist in 2019? Perhaps it is to find music in the noise oppressing the atmosphere, the (mis)information, static and chaotic emotion permeating people's heads. For example: Billie Eilish, the Los Angeles teenager who, with her 22-year-old brother Finneas, made the most streamed and talked-about album of 2019, was once getting her braces adjusted, listening to the whir of the drill shaving down their edges.

The Grammy Awards' category for new artists has always been the Hufflepuff house of the event, a mishmash of eccentrics, high achievers and hard-working young music industry favorites. (Notorious category winners Milli Vanilli did work hard, just not at singing.) Rarely has the field clearly pointed toward an exciting new musical era. But this year, that's exactly what it suggests.

Songs Against The Suits

Nov 15, 2019

On Thursday night, Taylor Swift threw another volley in her ongoing battle with the two men she considers the captors of her legacy.

When Brandi Carlile decided to perform Joni Mitchell's 1971 album Blue in its entirety at Disney Hall – the primary home of the Los Angeles Philharmonic and the site of many classical music premieres — one reason was to remind the audience of the 75-year-old's near-singular status among popular musicians of the past half-century. "We didn't live in the time of Shakespeare, Rembrandt or Beethoven," she said before she began her October 14 performance. "But we live in the time of Joni Mitchell."

Courtney Marie Andrews and Rhiannon Giddens harmonize with all their hearts on the Carter Family's "You Are My Flower" during the 2019 NPR Music Turning the Tables opening concert at Lincoln Center.

Watch the full Turning the Tables tribute to 8 Women Who Invented Popular Music, recorded live at Lincoln Center's Damrosch Park and read more about the series.

Lizz Wright stuns with a somber version of "Strange Fruit," made famous by Billie Holiday, during the 2019 NPR Music Turning the Tables opening concert at Lincoln Center.

Watch the full Turning the Tables tribute to 8 Women Who Invented Popular Music, recorded live at Lincoln Center's Damrosch Park and read more about the series.

Charenée Wade dazzles with her Ella Fitzgerald-style vocalese, performing the Mary Lou Williams composition "What's Your Story Morning Glory?" during the 2019 NPR Music Turning the Tables opening concert at Lincoln Center.

Watch the full Turning the Tables tribute to 8 Women Who Invented Popular Music, recorded live at Lincoln Center's Damrosch Park and read more about the series.

Xiomara Laugart, joined by Lea-Lorién Alomar and Gerardo Contino and the house band, pays tribute to Celia Cruz with a lively "Guantanamera" during the 2019 NPR Music Turning the Tables opening concert at Lincoln Center.

Watch the full Turning the Tables tribute to 8 Women Who Invented Popular Music, recorded live at Lincoln Center's Damrosch Park and read more about the series.

Valerie Simpson burns it all down performing "Send Me To the 'Lectric Chair," a signature song of Bessie Smith, during the 2019 NPR Music Turning the Tables opening concert at Lincoln Center.

Watch the full Turning the Tables tribute to 8 Women Who Invented Popular Music, recorded live at Lincoln Center's Damrosch Park and read more about the series.

Chills all around as Lizz Wright and Rhiannon Giddens invoke the spirit of concert music great Marian Anderson with the spirituals "Deep River" and "Go Down Moses" during the 2019 NPR Music Turning the Tables opening concert at Lincoln Center.

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