Scott Tobias
Scott Tobias is the film editor of The A.V. Club, the arts and entertainment section of The Onion, where he's worked as a staff writer for over a decade. His reviews have also appeared in Time Out New York, City Pages, The Village Voice, The Nashville Scene, and The Hollywood Reporter. Along with other members of the A.V. Club staff, he co-authored the 2002 interview anthology The Tenacity Of the Cockroach and the new book Inventory, a collection of pop-culture lists.
Though Tobias received a formal education at the University Of Georgia and the University Of Miami, his film education was mostly extracurricular. As a child, he would draw pictures on strips of construction paper and run them through the slats on the saloon doors separating the dining room from the kitchen. As an undergraduate, he would rearrange his class schedule in order to spend long afternoons watching classic films on the 7th floor of the UGA library. He cut his teeth writing review for student newspapers (first review: a pan of the Burt Reynolds comedy Cop and a Half) and started freelancing for the A.V. Club in early 1999.
Tobias currently resides in Chicago, where he shares a too-small apartment with his wife, his daughter, two warring cats and the pug who agitates them.
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In post-WWII Leningrad, two women bonded by grief, guilt and hardship set out to make their futures brighter than the horrors of their shared past.
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Robert Downey Jr.'s first post-Marvel Universe foray "is not a film. Dolittle is a crime scene in need of forensic analysis. Something happened here. Something terrible. Something inexplicable."
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Writer-director Jennifer Reeder's soon-to-be cult hit is "Twin Peaks as recast through the lens of radical feminism, if not nearly as academic as that sounds."
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Writer-director Elizabeth Banks' take on the franchise plays "like a campy, under-budgeted 'Mission: Impossible,' " that loses momentum whenever Stewart is off-screen.
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Mike Flanagan directs a meandering, imitative sequel to both the Stephen King book and the Stanley Kubrick movie, The Shining; its nonhorror elements prove more persuasive than its scares.
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Edward Norton's passion project — an over-lit, neo-noir adaptation of Jonathan Lethem's 1999 novel — struggles to convey the novel's interiority.
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A horrified soldier in Afghanistan witnesses atrocities encouraged by his commanding officer in Dan Krauss' feature film, based on his 2013 documentary of the same name.
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This "extremely weird" sequel to the 2014 film that riffed on Disney's Sleeping Beauty shunts its main character off-screen for most of its running time, in favor of CGI spectacle.
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You don't have to be familiar with Tim Heidecker's character in his cult series On Cinema to enjoy the film — but it's filled with in-jokes that reward the hardcore fan.