Gabino Iglesias
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Erika T. Wurth's novel belongs to a new wave of horror fiction that delivers the creepiness and darkness readers have always associated with the genre, while also packing plenty of social commentary.
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The Passenger and Stella Maris -- the author's first two books in more than a decade — seem to want to decode the meaning of life, both as standalone novels and together as intertwined works.
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Luda is a magical, multilayered, intoxicating story about identity, stardom, performance, lust, and death that could only have come from the prodigious mind of Grant Morrison.
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Javier Zamora's book, as touching as it is sad, and as full of hope and kindness as it is harrowing, is the kind of narrative that manages to bring a huge debate down to a very personal space.
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More than an autobiography following a strict chronological path and detailing all major events, this book focuses on the role of art in the U.S. poet laureate's life and her development as an artist.
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Moreno-Garcia follows up her smash hit Mexican Gothic with a noir caper set in '70s Mexico City, centering on two small-time sad-sacks who find themselves caught up in some very big trouble.
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Maryse Condé's new novel follws a lonely man, an obstetrician who adopts an orphaned baby girl and tries to find her family — it's an examination of loss and grief on a personal and national level.
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Omar El-Akkad's new novel is fully aware of the larger forces that lead people to migrate — but it leaves those aside, focusing instead on the smaller human stories at the core of the migrant crisis.
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Kristen Radtke's Seek You looks at isolation as a problem — and investigates where it comes from, how it shapes us, and why we should battle against it.
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The Demon Dog of Crime Fiction is back, with more boocoo bad business, pervs, prowlers, and putzo politicians than ever in this story of a real-life cop who knew it all (and had the pictures, too).