Mandalit del Barco

As an arts correspondent based at NPR West, Mandalit del Barco reports and produces stories about film, television, music, visual arts, dance and other topics. Over the years, she has also covered everything from street gangs to Hollywood, police and prisons, marijuana, immigration, race relations, natural disasters, Latino arts and urban street culture (including hip hop dance, music, and art). Every year, she covers the Oscars and the Grammy awards for NPR, as well as the Sundance Film Festival and other events. Her news reports, feature stories and photos, filed from Los Angeles and abroad, can be heard on All Things Considered, Morning Edition, Weekend Edition, Alt.latino, and npr.org.

del Barco's reporting has taken her throughout the United States, including Los Angeles, New Orleans, New York, San Francisco and Miami. Reporting further afield as well, del Barco traveled to Haiti to report on the aftermath of the devastating earthquake. She has chronicled street gangs exported from the U.S. to El Salvador and Honduras, and in Mexico, she reported about immigrant smugglers, musicians, filmmakers and artists. In Argentina, del Barco profiled tango legend Carlos Gardel, and in the Philippines, she reported a feature on balikbayan boxes. From China, del Barco contributed to NPR's coverage of the United Nations' Women's Conference. She also spent a year in her birthplace, Peru, working on a documentary and teaching radio journalism as a Fulbright Fellow and on a fellowship with the Knight International Center For Journalists.

In addition to reporting daily stories, del Barco produced half-hour radio documentaries about gangs in Central America, Latino hip hop, L.A. Homegirls, artist Frida Kahlo, New York's Palladium ballroom and Puerto Rican "Casitas."

Before moving to Los Angeles, del Barco was a reporter for NPR Member station WNYC in New York City. She started her radio career on the production staff of NPR's Weekend Edition Saturday with Scott Simon. However her first taste for radio came as a teenager, when she and her brother won an award for an NPR children's radio contest.

del Barco's reporting experience extends into newspaper and magazines. She served on the staffs of The Miami Herald and The Village Voice, and has done freelance reporting. She has written articles for Latina magazine and reported for the weekly radio show Latino USA.

Stories written by del Barco have appeared in several books including Las Christmas: Favorite Latino Authors Share their Holiday Memories (Vintage Books) and Las Mamis: Favorite Latino Authors Remember their Mothers (Vintage Books). del Barco contributed to an anthology on rap music and hip hop culture in the book, Droppin' Science (Temple University Press).

Peruvian writer Julio Villanueva Chang profiled del Barco's life and career for the book Se Habla Espanol: Voces Latinas en USA (Alfaguara Press).

She mentors young journalists through NPR's "Next Generation", Global Girl, the National Association of Hispanic Journalists and on her own, throughout the U.S. and Latin America.

A fourth generation journalist, del Barco was born in Lima, Peru, to a Peruvian father and Mexican-American mother. She grew up in Baldwin, Kansas, and in Oakland, California, and has lived in Manhattan, Madrid, Miami, Lima and Los Angeles. She began her journalism career as a reporter, columnist and editor for the Daily Californian while studying anthropology and rhetoric at the University of California, Berkeley. She earned a Master's degree in journalism from Columbia University with her thesis, "Breakdancers: Who are they, and why are they spinning on their heads?"

For those who are curious where her name comes from, "Mandalit" is the name of a woman in a song from Carmina Burana, a musical work from the 13th century put to music in the 20th century by composer Carl Orff.

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George Rodriguez, now 80, still doesn't go anywhere without taking pictures.

"People don't recognize me without my camera," he says. "I like to document everything that's goin' on."

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Photographer George Rodriguez chronicled Los Angeles for nearly six decades from Hollywood to the Chicano movement to hip-hop and beyond. As NPR's Mandalit del Barco reports, his work is now being celebrated in a new book and his first gallery retrospective.

Outlaws. That's what they were considered when they spray-painted walls and bombed subway cars with modern-day hieroglyphics. They worked in alleys and train yards, bridges and tunnels. Now, many of them are being celebrated in a massive warehouse near Los Angeles' Chinatown.

Kevin Feige runs the Marvel Cinematic Universe from his corner office at the Walt Disney Studios in Burbank, Calif. There, the president of Marvel Studios is surrounded by toys: Iron Man action figures (signed by director Jon Favreau) line the windows, Captain America's shield is framed on the wall and Thor's hammer rests on the coffee table.

Armando Iannucci has created some of the most biting political satire of the past 25 years, on the radio, TV and on movie screens. His latest is a political spoof about the demise of dictator Joseph Stalin in 1953; The Death of Stalin hits theaters this weekend.

To create the fantastical, otherworldly story in A Wrinkle In Time, the cast and crew traveled to the mountains of New Zealand and to a sequoia forest in Northern California. They also created elaborate sets on a soundstage in Santa Clarita, north of Los Angeles, which is where director Ava DuVernay was behind the camera over a year ago.

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