New York, New York, it's a wonderful town! And Mark Helprin's new near-epic novel makes it all the more marvelous. It's got great polarized motifs — war and peace, heroism and cowardice, crime and civility, pleasure and business, love and hate, bias and acceptance — which the gifted novelist weaves into a grand, old-fashioned romance, a New York love story that begins with a Hollywoodish meet-cute on the Staten Island Ferry.
The Avengers has brought in more money than any other movie this year — more than $600 million domestically. And it's only going to make more, especially with the DVD release this week.
The Avengers features characters from Marvel Comics, but the No. 2 movie of the year was based on a character from rival DC Comics — Batman. It's just the latest skirmish in a long, long, long-running battle between Marvel fans and DC fans.
The extended interview above includes parts one and two of the Morning Edition interview, plus additional material.
J.K. Rowling has a new novel. She's moved away from Harry Potter, the boy wizard whose stories prompted millions of kids to obsess over books big enough to serve as doorstops. Having concluded that series, she's written a novel for grown-ups called The Casual Vacancy, a story of troubled teenagers and their even more troubled parents.
After the global financial crisis hit in 2008, Pulitzer Prize winner J.R. Moehringer was so angry at banks, he says, he decided to write about the people who rob them — in the form of fiction, since he's not an economist.
"I thought it would be healthy to live vicariously through a bank robber at that moment that bankers were ruining the world," Moehringer tells Fresh Air's Terry Gross.
In his first historical novel, Sutton, Moehringer writes from the point of view of Willie Sutton, whom he calls the "greatest American bank robber."
This is TELL ME MORE from NPR News. I'm Celeste Headlee. Michel Martin is away. On television and in movies, the emergency rooms of big city hospitals are places of high drama, with doctors working furiously to save gunshot victims, those hurt in car accidents and people who are suffering a medical crisis, like a heart attack.
Originally published on Wed September 26, 2012 11:49 am
Among the many remedies we have flung at our foundering inner-city schools is a force we have reckoned without: Maggie Gyllenhaal, raising hell in the feistily titled Won't Back Down as a harried single mother eking out a living selling cars in a proletarian city, nobly represented under lowering skies by Pittsburgh.
It all started several months ago, when I was fishing around for something not-too-unhealthy for lunch. Spring was over — the once-tender lettuces now milky-hearted and stiff-leaved — and I was bored with salad. I love sandwiches, but every time I gorged on bread I stepped a little heavier onto the scale. "If you're going to eat constantly," I said to myself, knowing that I would, "you simply can't afford to pack on that many carbs at a time."
Terry Pratchett is a best-selling English novelist and author of the Discworld series. He was appointed Officer of the Order of the British Empire and, in 2009, was knighted for his services to literature.
Stephen Marche's latest book is How Shakespeare Changed Everything.
Just as the fanciest chefs will happily eat simple cheese and toast so long as it's prepared properly, literary writers will happily read genre fiction, as long as it's prepared properly. And the best preparer of hard-boiled crime fiction, or at least my favorite, was Jim Thompson. Though he was the pulpiest of pulp writers, he was also the densest and most intense and most complicated. His cheese on toast is like melted Gruyere over crusty fresh baguette.