Nobel laureate and founder of behavioral economics Daniel Kahneman goes through a series of examples of things we might remember, from vacations to colonoscopies. He explains how our "experiencing selves" and our "remembering selves" perceive happiness differently.
Some people can memorize thousands of numbers, the names of dozens of strangers or the precise order of cards in a shuffled deck. Science writer and U.S. Memory Champion Joshua Foer shows how anyone can become a memory virtuoso, including him.
"Some memories come with a very compelling sense of truth about them. And that happens to be the case even with memories that are not true." -- Daniel Kahneman
Memory is malleable, dynamic and elusive. When we tap into our memories, where's the line between fact and fiction? How does our memory play tricks on us, and how can we train it to be more accurate? In this hour, TED speakers discuss how a nimble memory can improve your life, and how a frail one might ruin someone else's.
Source material: As a virtual prisoner these days, he doesn't supply much in the way of fresh information — but WikiLeaks overlord Julian Assange is very much at the center of Alex Gibney's documentary We Steal Secrets.
Current-events buffs probably think they know the tale of WikiLeaks and its founder, Julian Assange. Prolific filmmaker Alex Gibney may have thought the same when he began researching his film We Steal Secrets. But this engrossing documentary soon diverges from the expected.
Even the movie's title, or rather the source of it, is a surprise. Not to spoil the fun, but it's neither Assange nor one of his allies who nonchalantly acknowledges that "we steal secrets."
Domestic drama: Among the ultra-Orthodox world of Tel Aviv's Haredi Jews, Rivka (Irit Sheleg, left) and her daughter Shira (Hadas Yaron, second from left, with Hila Feldman and Razia Israeli) are confronted with a dilemma after a death in the family.
Credit Karin Bar / Sony Pictures Classics
Handsome and thoughtful, Shira's sister's widower (Yiftach Klein) is nonetheless not her first choice for a husband — which may not make a difference in the end.
Driving home from a screening of the ravishing new Israeli film Fill the Void, I caught sight of a young man in full Hasidic garb, trying to coax his toddler son across a busy Los Angeles street. My first thought was, "He's a boy himself, barely old enough to be a father, and they both look so pale."
My second was, "I wonder what his life feels like?" This is the more open mindset that director Rama Burshtein asks from audiences going into her first feature, a love poem to the ultra-Orthodox world as seen from within.
In the film What Maisie Knew, Julianne Moore plays a troubled rock star whose young daughter witnesses her parents' volatile behavior as they argue over custody during their rocky separation.
On the surface, Moore's character, Susanna, might seem to be an entirely terrible one — a self-involved person and inappropriate mother who's not paying attention to her child. But Moore makes her more complicated than that.