Stephen Thompson

Stephen Thompson is an editor and reviewer for NPR Music, where he curates Song of the Day, fusses over the placement of commas and appears as a frequent panelist on the podcasts All Songs Considered and Pop Culture Happy Hour. In 2008, he and Bob Boilen created the weekly NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk.

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for the NPR programs Weekend Edition Sunday, Weekend All Things Considered and Morning Edition, on which he earned the distinction of becoming the only member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity of the Cockroach: Conversations with Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the forthcoming anthology This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his two children and a Frogger machine. His hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

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First Listen
10:33 am
Sun August 12, 2012

First Listen: Yeasayer, 'Fragrant World'

Credit Anna Palma
Yeasayer's new album, Fragrant World, comes out August 21.

Originally published on Thu August 23, 2012 2:13 pm

Audio for this feature is no longer available.

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All Songs Considered Blog
1:41 pm
Thu August 9, 2012

First Watch: Lord Huron, 'Time To Run'

Credit Courtesy of the artist

For the L.A. band Lord Huron, there's far more to music than merely playing sweetly summery, rhythmically inventive pop. There's also an air of mystery: a desire to tell stories, play with identities and craft visuals to complement its sounds. The bouncy "Time to Run" is a tremendously ingratiating song, but the band's video piles on new dimensions to make it that much richer.

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All Songs Considered Blog
9:03 am
Thu August 9, 2012

Song Premiere: Azure Ray, 'Red Balloon'

Originally published on Thu August 9, 2012 5:36 pm

Azure Ray documents the collision between two distinct musical sensibilities: the sweetly airy, bittersweet pop of Maria Taylor and the buzzier, busier, frequently electronic sounds of Orenda Fink. The two have worked separately quite a bit in recent years — Taylor as a solo artist and Fink both solo and as half of O+S — but in Azure Ray, they still meet in the creamy, dreamy midpoint between their individual sounds.

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All Songs Considered Blog
11:17 am
Tue August 7, 2012

Watch Tom Waits' Bracing, Beautiful 'Hell Broke Luce' Video

Credit Courtesy of the artist
Tom Waits.

Originally published on Tue August 7, 2012 12:59 pm

All Songs Considered Blog
8:15 am
Tue August 7, 2012

Song Premiere: Stars, 'Backlines'

Originally published on Tue August 7, 2012 10:04 am

Predicting the sound of any given Stars song takes some doing: The Montreal band traffics in everything from joyfully guitar-driven power-pop to synth-based dance music to string-swept ballads that detail the heartbreaking minutiae of doomed romance. Even the lead voices shift from song to song, with Amy Millan and Torquil Campbell singing to, over and about each other, occasionally swapping verses.

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Tiny Desk Concerts
8:03 am
Mon August 6, 2012

Beth Orton: Tiny Desk Concert

Credit Michael Katzif / NPR

Originally published on Fri August 10, 2012 2:26 pm

English singer-songwriter Beth Orton is one of the best-known practitioners of a subgenre in which folk songs are set to electronic beats — it's a sound she employed to popular and powerful effect throughout the late '90s and early '00s, on hit albums such as Trailer Park, Central Reservation and Daybreaker.

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Newport Folk Festival
3:41 pm
Thu August 2, 2012

Gary Clark Jr., Live In Concert: Newport Folk 2012

Credit Erik Jacobs / Erik Jacobs for NPR
Gary Clark Jr. plays the Quad Stage at the Newport Folk Festival.

Originally published on Fri October 19, 2012 9:58 am

Like many artists performing under the broad umbrella of "folk music" at this year's Newport Folk Festival, Gary Clark Jr. isn't settling inside any genre, let alone folk. Working off a template of bluesy rock, he infuses the gritty songs on his Bright Lights EP with elements of soul, pop and even reggae. Above all, he's a positively ferocious young guitarist, with a reputation as an up-and-comer poised for one of those 30-, 40-, even 50-year careers.

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Newport Folk Festival
5:48 pm
Mon July 30, 2012

Sara Watkins, Live In Concert: Newport Folk 2012

Credit Erik Jacobs / Erik Jacobs for NPR
Sara Watkins plays the Fort Stage at the Newport Folk Festival.

Sara Watkins isn't the flashiest of singing stars, but she's already carved out a remarkable career: She got her start as a kid with Chris Thile and her brother Sean in the heavily decorated, platinum-selling Nickel Creek, and has since gone on to perform with The Decemberists,

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Newport Folk Festival
3:16 pm
Mon July 30, 2012

tUnE-yArDs, Live In Concert: Newport Folk Festival 2012

Credit Erik Jacobs for NPR
tUnE-yArDs performs on the Harbor Stage at the Newport Folk Festival.

Originally published on Tue October 2, 2012 9:39 am

Merrill Garbus, the mastermind behind tUnE-yArDs, often uses a minimal assortment of resources — a ukulele, some pedals, a bit of percussion here and there — to craft an explosive, unpredictable, worldly, beautiful and utterly inventive sound. On last year's widely beloved w h o k i l l, Garbus' music forms a cut-up collage of coos, howls and bold statements of purpose, but her live shows fan out into epic rave-ups, complete with a pair of saxophonists.

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