Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

Rarely has the opening of an awards show felt as inauspicious as the first 10 minutes or so of Monday night's Emmy Awards. An opening number called "We Solved It," making light of the idea that Hollywood's meager progress toward greater diversity constitutes a meaningful resolution to the issue, featured a number of appealing TV personalities: Saturday Night Live's Kenan Thompson and Kate McKinnon, Tituss Burgess of The Unbreakable Kimmy Schmidt, Kristen Bell of The Good Place, RuPaul, Sterling K. Brown of This Is Us, and Ricky Martin.

The 2018 Emmy Awards are airing Monday night on NBC beginning at 7:30 PM. How can you remember they're on NBC, should you forget? Well, for one thing, the hosts are Saturday Night Live cast members and Weekend Update co-anchors Colin Jost and Michael Che, two guys who fit more into the category of "the Emmys will be good for them" than into the category of "they will be good for the Emmys."

The first question was whether Jesse Eisenberg would make a good John Bender. Who, after all, does Jesse Eisenberg think he is?

Sunday night at the Ryerson Theatre in Toronto, director Jason Reitman continued what's becoming his Toronto International Film Festival tradition by staging a live reading of a well-known film script. (He directed similar readings in Los Angeles for years.) Reitman brings actors who are at the festival to promote their new films, and he borrows them for an evening to sit on stage and reinterpret something that many in the audience know well.

Television is more year-round than it used to be, but fall is still a time when broadcast, cable and streaming services drop a lot of premieres. How to keep track of it all? NPR's television and pop culture team has assembled a handy list of shows to keep an eye on. Some of these aren't available for us to watch yet — but we've included shows that look promising.

So from broadcast prime time to bingeing Netflix in your jammies, here's our take on the most intriguing shows coming to you this fall:

The debate about whether romantic comedies are — or ever were — dead is an old one by now. In fact, I wrote about it five years ago.

Well, it's safe to say Netflix giveth and Netflix taketh away.

Only a week after the Grand Takething that was Insatiable, the streamer brings along To All The Boys I've Loved Before, a fizzy and endlessly charming adaptation of Jenny Han's YA romantic comedy novel.

If only the worst thing about Netflix's Insatiable were its lazy portrayals of fat people or its tone-deaf deployment of sexual assault and abuse as comedy or its embrace of racist tropes or its portrayals of people with Southern accents as dumb hicks or its white-hot conviction that same-sex attraction is either inherently hilarious or a teaching moment.

Oh, if only.

The new NBC series Making It has two reasons for being.

One is to grab a little of the upbeat, you-can-do-it energy generated by competitive cooking shows – The Great British Baking Show especially – and expand it to other areas of crafting. The other is to give viewers some solid hangout time with the stupendously amiable hosting pair that is Amy Poehler and Nick Offerman. All put together with some staples and glue, it's a lovely, if very low-key, summer watch.

I have this dog. His name is Brian, and he's a whippet, plus some other skinny-dog ingredients. He looks like this.

A new film about Robin Williams begins with his appearance on Inside the Actors Studio with James Lipton. Lipton says: "How do you explain the mental reflexes that you deploy with such awesome speed? Are you thinking faster than the rest of us? What the hell is going on?" Williams first makes a goggle-eyed face, but then he falls over sideways, like an embarrassed kid, curling up and cackling. And then, of course, he does precisely the thing Lipton is asking about: a flurry of movements, voices, bits, fragments of thoughts flying by — fragments riffing on his own thinking.

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