Whenever Tyler Perry is in front of the camera, he's usually behind it as well. A screenwriter, director, producer and star, Perry grew up poor in New Orleans, but he has become a movie phenomenon — he was described in the New Yorker as the most financially successful black man the American film industry has ever known.
Originally published on Mon October 15, 2012 2:51 pm
Welcome Salt readers! We're Sandwich Monday, a regular feature from the staff of "Wait, Wait...Don't Tell Me," and we're moving in here to provide an antidote to the informative and insightful posts to which you're accustomed.
Originally published on Mon October 15, 2012 2:41 pm
If you're one of the few viewers still confused about what Treme is saying about art, do note this episode's "play-within-a-play" staging of Samuel Beckett's Waiting for Godot. The existentialist play revolves around two characters, Vladimir (nicknamed Didi) and Estragon (called Gogo), who wait interminably for a mysterious "Godot" by a desolate country road. It's clearly meant to parallel New Orleans residents' wait for essential social services, complete with the barren backdrop of the city post-Katrina.
For a man who was elected president partly on his ability to give a great speech, Barack Obama has been at times a surprisingly poor communicator in office and on the campaign trail.
That may have been most evident earlier this month during the first presidential debate. But Obama generally hasn't been as impressive at getting his message across in his four years in the White House as he was during the campaign that put him there.